Probably the hardest part of working with wax is the removal of it. Years ago I tried batik and swore never to do it again because of that reason. I was using the traditional set up of part parafin and part beeswax. Beeswax is too soft and won't crackle; parafin is too hard and crackles too much, so a mix of the 2 works best. I decided to give it another try after reading Rayna Gillman's book which devotes many pages to the use of soy wax. It's a little more user friendly and easily removed from fabric.
To remove, lay newsprint over the top and underneath; use a a hot iron which immediately melts the wax which is absorbed into the paper.
This piece is probably more noticeable because I used solids rather than a busy print.
Here is another marbled piece done in the opposite color set up with the yellow being in the center.
I liked the way this turned out, very busy but I liked the wash of color over it more than the resisted areas of wax.
I just went through my scraps, pulling pieces. This piece was a piece of silk that was crimped as a demo for a workshop. It was a China silk and very thin so the crimping/pleats were very effective.
A lot of the wax impressions showed up better, probably because I started with a solid.
This was a marbled piece I didn't like and the only cotton in the group; I think I like it better with a wash over it and some wax resisted areas.
My daughter is coming this weekend with my granddaughter and then we caravan back to Atlanta for Thanksgiving. It will be a whirlwind of a week.
Til next time...
Judy














































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